Album Review

Album Review: Future Islands – In Evening Air

Maybe it’s my affinity for new wave bands such as A Flock of Seagulls or maybe it’s my love for all the great things that are affiliated with Wham City- But I really enjoy this album.

Originally formed in North Carolina before relocating to Baltimore, Future islands brings a unique sound to their new album out from Thrill Jockey.

It is refreshing to hear a new take on this genre of music that hasn’t already been played out in recent years. While it is based on the same sound as the new wave bands of the past, Future Islands brings a post-punk edginess and lyrical darkness to the energetic dance beats of the genre. They take the new wave aesthetic and infuse their own brand of heat wrenching dramatics.

The vocalist’s (Sam Herring) raspy voice adds a seriousness to the feelings the lyrics are trying to convey. Whether it’s his sharp sound in Long Flight or the grandiose delivery in Vireo’s Eye Sam’s voice adds a dynamic to the sound that has the ability to further engage the listener to lyrics in which they can already relate.

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Album Review: Pete Yorn – Back and Forth

When I was little, I was a Dimetapp junkie. At the slightest sign of sickness, I’d demand a generous spoonful of that sweet grape syrup, and even if I wasn’t sick, I’d play ill just to get a fix.

Fast-forward 15 years and I’m a writer who has called Dashboard Confessional “Robitussin for the broken heart” – a surefire remedy for what ails you but which, when unneeded, is practically unpalatable.

Well, if Dashboard is the ‘Tussin, Pete Yorn’s Back & Forth is Dimetapp, because I’ll be damned if Mr. Yorn hasn’t turned me into a 24-year-old drugstore cowboy jonesing for sugary nepenthe for the broken-hearted, despite the fact that I have absolutely no legitimate need for it.

Yorn wears his lyrical heart on his sleeve without coming off as trite, and he bears his musical soul without being over-the-top or melodramatic. If the album were to be boiled down to two adjectives, I would say: “honest” and “subdued.” It’s honest without being brutal, and subdued without being boring.

Like chugging on Dimetapp when you’re not really sick, listening to Yorn’s new album when you’re not presently heartbroken isn’t exactly something to brag about – but it’s also far from unenjoyable.

Bottoms up.


Album Review: mewithoutYou – It’s All Crazy! It’s All False! It’s All A Dream! It’s Alright

Having not drunk the proverbial Kool-Aid of indie/experimental rock that would magically allow me to totally forgive a band its blatant musical sins in exchange for its obvious artistic creativity, I find myself deeply conflicted when it comes to mewithoutYou in general, and their new album It’s All Crazy! It’s All False! It’s All A Dream! It’s Alright specifically. So, at risk of being crucified by devout fans, I will speak my piece to the masses and promptly make my exodus.

I like mewithoutYou, and if I could get over the disturbing fact that mewithoutYou’s singer, Aaron Weiss, tends to sound like a creepy cross between a folksy Sesame Street character and Heath Ledger’s Joker, I just might love the band. I will say, their new album contains much less screaming, ranting, and violent instrumentation – traded in for a playful, Nickolodeon-ready vibe and childish singing inflection – so it sounds much less like the schizophrenic rock ramblings of a religious nutcase and more like the subdued soundtrack to a Sunday school puppet show…put on by a religious nutcase.

It’s really too bad I’m stuck between a rock and a hard place – the rock being the sense that I’m listening to a band that jacks off to Raffi tapes (“A Stick, A Carrot & String”) and the hard place being the growing fear that their lead singer belongs to a cult and I’m being subliminally recruited (“Bullet To Binary (Pt. Two)”).

Bottom line, if you’d like to see the wolf in sheep’s clothing, this one’s for you.


Album Review: New Found Glory – Not Without a Fight

As I listen through New Found Glory’s latest album, “Not Without a Fight,” I can’t help but recall the famous scene from “Dazed and Confused” where Matthew McConaughey’s character, Wooderson, famously professes, “That’s what I love about these high school girls, man. I get older – they stay the same age.”

Surely the members of New Found Glory must feel like Wooderson in relation to their fans, but what I could not have predicted was feeling like Wooderson myself in relation to New Found Glory.

Yes – I just essentially called New Found Glory “jailbait.”

I first heard New Found Glory in 2000, when they were called “A New Found Glory” and more famous for an amazing album of pop-punk covers than their own songs. I was an overly self-conscious sophomore in high school, living in a boring suburban wasteland, and the Coral Springs quintet’s sugary sweet nuggets of radio-ready pseudo-punk were like sonic crack rocks for wannabe rebels like me. It was okay to like them back then, but I’m 24 now.

If New Found Glory was a musical vehicle, it would be a sketchy DeLorean whose destination date is permanently locked to “High School,” the age of sugary angst and pent up rebellion. An age I have no goddamn business going back to. And yet, I’m already halfway through the album, and haven’t skipped a track yet. Oh, god. We are far past foreplay. I’m going to hell.

It’s as if I’m 24 years old, standing outside the local bowling alley of my crap ass hometown, and along walked this naive, sexy little high school hottie called “Not Without a Fight.” And damnit, I can’t help but feel dirty for flirting with something I know I’m way too fucking old for.

I’m sure New Found Glory can relate, but hey, when your unwillingness to grow up is as much a cash cow as theirs is, you can’t necessarily blame them for continuing to crank out cute, barely legal albums like this.


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